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I see nothing wrong in that.”īut what about the emotional decision that audiences take knowing the poor financial background of a participant, because a good voice has no connection with the financial crisis? “As mentors, all we are doing is nudging the audience to the talent. So if a participant is able to communicate his skill to the audience through a performance, why shouldn’t the audience get a chance to judge the talent? Mahadevan said: “Music is the highest form of communication. Shankar Mahadevan performed with sons Siddharth and Shivam in MTV Unplugged.Īlso, since Mahadevan is one of the mentors of Rising Star, which gives an opportunity to the audience to vote the best singer, is it wise on the show runner’s part to give viewers the responsibility to choose a winner without knowing the technical nuances? “A common listener does not need to understand the technicality of a song, but still can appreciate it in this way,” he added. I think that is how we can bring change in the sound of Hindi film music or anything for that matter,” explained the “Breathless” singer. “For instance, if I play heavy jazz, a common man might not enjoy it, but if I fuse some jazz elements in a Hindi song composition, sub-consciously listeners are getting familiar with the sound of jazz. So, I keep using musical elements of different genres that give common people a glimpse of a new thing,” said the composer.
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We have to prepare them to accept the experiment we are doing, and that is how we can grow in future. “Apart from being a singer and composer, I always have (the aim of) educating the layman. So, does he change his approach to music to bring change with time? So that both a veteran and a common audience can connect with its musicality.” “The experiment has to have some amount of insight or knowledge. See, when we did ‘Dil Chahta Hai’, ‘Kal Ho Naa Ho’, and ‘Rock On!!’, it created a huge difference because it was no fluke. Shankar Mahadevan with Ehsaan Noorani and Loy Mendonsa.Īsked about the evolution of film music and if enough experimentation is happening, Mahadevan said: “I think an experiment creates an impact and can bring a change if it has a depth. They have brought a huge change in the sound of Hindi film music with some memorable albums for films like Dil Chahta Hai, Kabhi Alvida Naa Kehna, Rock On!!, Wake Up Sid, My Name Is Khan and Mirzya. He also composes songs along with his two music partners Ehsaan Noorani and Loy Mendonsa, who are together known as Shankar-Ehsaan-Loy. Its refreshing to see SEL take a diversion from their usual route when it comes to movies from the Karan Johar household.Mahadevan also performs with his sons, and had recently collaborated with them for MTV Unplugged. By the way you can know more about and listen to some excellent music from Alms For Shanti here. Hopefully this is a start and we will get to hear more of Uday. He was last seen with Alms For Shanti, a band he founded with his guitarist from Indus Creed days, Jayesh Gandhi (who incidentally is into movies himself, having sung for many movies and scored for movies like Manorama Six Feet Under). This one sees alongside Shankar Mahadevan the veteran rock singer Uday Benegal. SEL return for the last track which is another delightful composition a la Rock On. Amitabh Bhattacharya is bound have more recall, having penned the lyrics of 99 and more importantly, Dev D. If the name Kavita Seth doesn’t ring a bell, advise you to please listen to the absolutely haunting number from Gangster called Mujhe Mat Roko. Rendered superbly by Sufi singer Kavita Seth and lyricist Amitabh Bhattacharya, this one expertly packages Kavita’s classical rendition in a modern setting, the highlight being the guitars.
#Wake up sid shankar mahadevan movie#
For that matter Shankar Mahadevan always excels when it comes to soaring vocals!! Enter guest composer Amit Trivedi who pulls off a blinder with his sole composition for the movie called Iktara.
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He especially sounds resplendent on the higher notes. Aaj Hi Zindagi is another nicely arranged serene track, Shankar getting to mildly exercise his classical side on the vocals. The instrument in the interlude didnt sound like an actual harmonica by the way. Another pleasant track, though it does bear mild resemblances to Yeh Aaj Kya Ho Gaya from Luck By Chance. Next up is some country styled music with Kya Karoon, Clinton Cerejo absolutely magnificent on the vocals, in places reminding me of Raman Mahadevan. The remix version however went a bit too fast for my liking. And then on its a nice 3 odd minutes coming out in the ever-dependable Shankar Mahadevan’s voice. Wake Up Sid starts off frighteningly like the typical feel-good-but-now-getting-jaded SEL-KJo fare before it takes a Rock On-ish turn in the title line.